One hub for everything that gets a song heard: the links, the press kits, the clips, the outreach, and every number they bring back. The AI does the work, and it tells you what your own audience turns up for. You finally go back to writing music.
Everything a release needs, in one place, under your own domain.
One page per release with every service a fan already uses, your own hook cut playing on it, and a count of who pressed play.
A press kit a writer can actually work from: the story, the photos, the credits and the files, on one page you send as a link.
It finds the blogs, playlists and creators who cover music like yours, writes each pitch in your voice, and sends it from your own email.
The one link that goes in every profile. Your releases, your socials, and the song already playing when someone lands.
Vertical videos cut from the song itself, captioned by the AI and sized for Reels, Shorts and TikTok. You pick the bit of the song.
The wallpapers, cover art and clips your listeners want to post. They do the sharing, which is the reach you cannot buy.
Every platform, every page and every pitch in one set of numbers, so you read what the release did instead of what four apps did.
It has listened to the track and read your own history, so the advice is about this song and your audience rather than a general rule.
A runway for each release: what goes out on which day, rendered and posted on the morning it is due, without you at the keyboard.
Every release gets its own page under your own domain. Every service a fan might use is on it, the song is already playing, and it is one address you can put in your bio, on the poster and in every message you send.
The colors are pulled out of the cover you uploaded, so the page looks like that record rather than like a template. There is nothing to design and nothing to pick.
The hook plays on the page itself, so someone who has never heard of you can listen without going anywhere first. On release day the streaming player takes the top slot, where a play counts as a real stream.
Who arrived, who listened and which service they picked, for each release, sitting next to everything else the app counts for you.
Four pages and a stack of clips per release, cut from the song and the artwork you already have and live under your own domain. The AI writes the words and it captions the clips. Nothing to design, nothing to export at midnight.
Everything a writer asks for, on one page: the story, the photos, the credits and the files, ready to send.
Your own page for the top of every profile, with the releases, the socials and the song already playing.
9:16 videos cut from the song itself, AI-captioned and sized for Reels, Shorts and TikTok. You pick the bit of the song; it does the rest.
Four things, in the order a release goes through them.
It searches for the blogs, playlists, radio shows and creators who cover music like yours, and scores each one on how likely they are to answer.
The AI drafts a pitch for each one in your voice, and it goes out from your own email account, so it arrives from you rather than from a platform.
The runway lays the clips and the posts out across the weeks either side of release day, renders each one on the morning it is due, and publishes it.
Follow-ups go out on their own, the people who asked to hear get mailed the morning the song lands, and anything that stalls turns up as one row on your front page.
Every platform hands you a dashboard about that platform. This one reads across all of them at once, and it has listened to the song itself. The AI is not a chatbot bolted on the side; it is what turns all of that into something you can act on.
Every post is scored against your own usual numbers, so a good week reads as a good week whatever the size of your following. No league table, no stranger's average.
The same video posted to three places is folded back into one, so what you read is how the post did rather than how each app did. Where a platform will not tell us a number, it says so instead of guessing.
It reads the track itself for the beat, the sections and the hook. That is how the clips land on the part worth hearing first, and why the advice you get is about your music rather than about posting in general.
Which look, which length and which hour your audience turns up for, drawn from your own posts. And how this release is doing against the last one, at the same point in its life.
Arm a release and the runway runs itself: each clip rendered on the day it is due, captioned by the AI, posted, and the people who asked to hear mailed the morning it is out. You get a short summary of what happened. The rest of the week is yours, for the only part of this nobody else can do.
Start with 14 days of everything, no card. After that, pick a plan or take the self-hosted build below. Every plan is one artist, except Studio.
14 days of the full app
One artist, promoted properly
Included AI, against the largest plan
For a busy roster
Included AI, against the largest plan
Labels and studios
Included AI, against the largest plan
Prices are per month, billed through Stripe. Yearly billing gives you two months free. You can change or cancel any time, and nothing you made is ever deleted. Bring your own API key and the AI cap lifts entirely.
Get Heard is open source. Install it on your own machine and there is nothing to pay us, ever. One command, and it opens in your browser.
npx getheardYou bring your own: an AI key from Anthropic or OpenAI (or a Claude or ChatGPT subscription), a free Netlify account for the published pages, your own Gmail for the pitches, and a developer app of your own on every social platform you want to post to. TikTok, Instagram, Facebook and YouTube each make you register one and get it reviewed before it can touch your account, and that is a weekend of forms rather than a click. Doing all of that for you is what a plan above is actually paying for.
It is also where the trial goes if you would rather not subscribe. Export everything, install this, carry on.